The Prolific Blogger Award goes to . . .

Me! Who would’ve thought? I guess my longwinded-pontificating paid off. 😉 No, seriously — I was surprised and flattered to be given this fun award by author Laura Best, a writer/blogger I’ve gotten to know through my blog.

She said that I, along with her six other pronounced winners, “served as an inspiration to [her], have given [her] plenty to think about, and a few chuckles along the way.”

I can’t think of nicer kudos than that and I share her positive feelings re: the sense of community and writing encouragement the blogging world can be. And now it’s my turn. I would like to pass on the Prolific Blogger Award to seven bloggers that I read regularly, whose content never disappoints, who challenge me in my writing and/or personal life. I’m very glad people like them exist (and put their ideas forth!) in our world.

I award the Prolific Blogger Award to:

Laura BestMy little corner of the web. I suspect it’s breaking the rules, and worse, it’s probably bad form to “tag the butcher,” but I can’t help return the award to Laura Best. I have to give it to the people whose blogs I check most regularly for new posts. It’s my _own_ award rule. 😉

Jen Brubacherscribo ergo sum

Brett Battles, blogging at Murderati

Kathy ChungRambling

Kate CoombsBook Aunt – because OTHER people give you clothes and video games for your birthday (with a tagline that, admit it, you’re hooked already–well, I was anyway!).

Jennifer Neri and her great blog — I think she’s already received this reward, but what can I say? I check her blog daily for new posts.

Vello SorkRemind me again where I was going . . .

If you get a chance, check out these blogs. I don’t think you’ll regret it. And if you’re one of my prestigious winners, I leave what you do with your award up to you. Take a bow and say adieu, or take part and do some awarding of your own.

The rules for the Prolific Blogger Award are simple:

Every winner is expected to pass on this award to at least seven other deserving prolific bloggers, to link to the blog from which he/she has received the award and, to also link back to this post, which explains the award. As if that isn’t enough you are also asked to visit the above post and add your name to the list.

It doesn’t take long and it’s fun–and you might discover new must-read blogs. Just what your writing life needs. 😉

Happy writing and reading,
Ev

The Power of Story and Theme

I’ve known for a long time that I listen to, read, write, watch and tell stories for fun, yes, but also to help figure out what I think, to mash out how I believe I should live, to discover what it’s like, at least partially, to be someone else with different life experiences, to express things I feel that can’t be described in mere recitations of facts and statistics.

As a teacher, a student, a writer, I am always wowed by the power of story to create understanding, convey meaning, show relationships, and provoke thought. It’s not that I agree with every idea a story puts forth or even think agreeing is the point. The point of stories—what makes them so important and valuable—is how they provide glimpses into how people arrive at the places they do, how events shape other events, how life is perceived and experienced by another.

If you tell me war is damaging or that prejudice hurts generations of people, I’ll nod thoughtfully, because intellectually I know those are truths. If put me in a war via story or subject me to cruel indifference (or worse) because of prejudice via a character, I will know the truth on a whole different level, because I will have gotten just a bit of taste of what it must be like to suffer those things.

If you tell me that constant bullying can create a monster, I might or might not believe you (or I might start framing an argument for how people can’t just blame their circumstances on people around them). If I’m put in the situation as a fly on the wall, made to see the effects of one person of constant abuse over time, I’m probably going to be a rash of more elaborate things: a) less likely to bully b) more likely to recognize when something is mean c) more intent on being kind to people I perceived as being picked on d) less wishy-washy and permissive of mistreatment of others . . .

My own kids have shown me the power of even “little” stories. I was uptown with my son the other day and he was playing with a novelty pen that had a big rubber head with googly-eyes that bulged out, as if on springs, when you squeezed it. He was making it make weird faces, kind of chuckling. Then he stopped laughing and said, “Just like a hamster, right, Mom?”

Gack! I thought and got ready to launch into a momesque lecture. “That’s not a funny way to joke.”

“I’m not joking,” he said quickly. “It just made me think of about Uncle Wilfie’s birthday party and his poor hamster baby. I still use that story to scare little kids, you know.”

Just as I started an inner monologue, berating myself for telling that story where the intrinsic message was so obviously lost, he went on.

“You know, show them, especially – – – – , he doesn’t have very good control, the danger of giving into that I love you so much I wanna squeeze you feeling.”

Awww, I wanted to squeeze him. So I did, but just a little, cause hey, he’s 13 and I’m pretty fortunate that he allows me to be seen with him in public, let alone give him a half-hug—and besides, as established, hard squeezing can be dangerous.

Where am I going with all this?

Do I think every story should have a conceived lesson on behalf of the writer? Gah, no! (But I also don’t mind if there is one, so long as it’s done well and is integral to the story, and the story isn’t just some pale, whinging thing tacked on to try to disguise a lecture.)

Do I think fiction writers have a job to inform, reform and educate? Not in any calculated way, no. Do I think writers must have deep reaching themes that they set out to tackle? Absolutely not—not intentionally, that is.

I do think the best stories—the ones that stick with us, that we ask to hear again, that get reread and reread—contain ideas and situations that affect us in a far deeper way than being merely entertaining. They are about far more than escalating action, a wacky offbeat laugh-a-minute MC (or a deep, brooding one), the gruesome, vivid details, the ahh of perfect romantic love . . . They resonate—Yes, this is what it means to be human. Or they challenge us—This is what it could (or should!) be like to be human. They speak to us somehow about how we live, have lived, or want to live.

The trick to writing these “best stories” then—actually, that’s badly worded. It’s no trick—it’s the one aspect of writing where craft books and technique can’t help us, where the only “skill” lies in just being ourselves. We have to allow what we really care about, fear, ponder, hate, love, question to well up in our stories. Our characters are not us (usually), they’re not even based on us (again, usually), but they are people and people have universal wants, needs, fears, questions . . . Let yourself (and your characters) tackle those things and you will not only have a book that the reader won’t put down, you will have written a book with the power to affect, transform, challenge, affirm and encourage—

Intimidating, isn’t it? Yes, but I don’t know if it needs to be. If we write whatever story currently yelling in our heads, the best we can, letting ourselves “go there” (those places we want to shy away from because they feel too personally revealing), I suspect, without any intention at all, when we reread our first draft, we’ll see our theme emerging. We’ll be intrigued by, maybe even a little awed and challenged by, the emerging power in our story.

I know I was a little long-winded this post, sorry–I had no Internet for eight days, so I had lots of time for my words to build up! I’d love to hear about your thoughts on theme and how you approach, consciously or not . . .

Axe sharpening . . .

I was introduced to Ecclesiastes 10:10 the other day—Using a dull axe requires great strength, so sharpen the blade.

The verse was used in the context of faith, how it can be easy to go through the motions, to seem fine when really you’re discouraged and struggling. How instead of taking strength, joy and peace from your faith, sometimes clinging to it can seem like drudgery. The speaker went on to talk about how to sharpen your blade and the importance of doing so.

I appreciated the message and felt the verse applied to a lot aspects of life—relationships, jobs, writing. Almost everything in life, no matter how passionate we are about it, has seasons where continuing on just feels like work, where we wonder if what we seek is actually attainable, where we question whether there is anything special or valuable in what we’re trying to hold on to…

If you’re like me (and since you’re probably a writer reading this blog before getting to down to work, I suspect you are), you’re no stranger to hard work. You’re used to sitting down whether you’re inspired or not and putting words on the page. You’ve steeled yourself against rejection. You will keep wielding your axe because it’s what you need to do—and let’s face it, in the end, a dull axe does the same job as a sharp one. And for that pragmatic attitude and ethic, we should be congratulated. We rock!

Thankfully, not every writing session fit the description above—far from it. We know flow. We’ve embraced the muse. Had those wonderful times when the stories and thoughts in our heads pour out faster than we can type, those moments when we finally glance at the clock we can’t believe that we’ve been writing for hours and we still feel so energized. All is right in the world. All is right in our heads. We are writers; we pour our inky-hearts out on paper—we rock!

I guess what I’m trying to say is yes, persevere when the work is hard and it’s all sweat and fear. But yes, double-yes!—seek those things that remind you that writing is your passion, that make your time spent at the computer less like hacking and more running a warm blade through butter that has fresh bread waiting for it.

Here are a few of the things that sharpen my blade and make me feel that I’ll burst with contentment because I get to write: Spending time with my opera-singer sister and laughing about the angst of the artist’s life. Keeping close contact with writing friends, through e-mail and an online forum. Reading good books. Writing things that are just for me, like poetry. Doing writing exercises and taking “no pressure” classes and workshops—and, maybe ironically, giving workshops. Playing outside, rain, snow, or shine. Making sure I have do-absolutely-nothing slouch time. And (again, perhaps ironically) writing through those uninspired dull-hatchet times.

Have a wonderful writing week, fellow axe-wielders! And if you have time to share, I’d love to know: What sharpens your blade?

Beware the Audience!

I’ve been writing for a long while now, and over the past twelve years, I’ve been fortunate enough to see some of my words go to print.

Knowing that I will have at least a few readers is almost entirely wonderful. I always dreamed of sharing my stories, so as corny as it is, every time I’m published, it’s a bit of a dream come true. It’s inspiring—At least one person (the editor!) feels my thoughts are worthy of being read . . . It’s motivating—Oh, rats. I can’t watch The Office Season 3 all day and night again. My fill-in-the-blank-with-current-project is due. (Deadlines = this writer’s best friend.)

There is a downside to knowing you have an audience, though—and it’s a sneaky one, one I hadn’t known I was affected by until yesterday when I was journaling about the past year. I was mid-scribble in my private notebook, when I realized I was holding back, just a bit. I was writing about the parts of my life readers might be interested in, instead of all the myopic navel gazing stuff that’s only important to me.

I was candid. I whined. But I was candid, politely. I whined only in a philosophical, interesting way, not in a full out temper-tantrum-brat way (and I wish it was because I’m more inclined to be philosophical and interesting than beastly, but no, that’s not it at all).

I found myself editing my thoughts before I spilled them, consciously choosing a synonym if I’d just used the word I was about to scrawl down.

And it hit me—Beware the Audience! Don’t let the fact that you might have readers keep you from saying what you need to say. It is crucial to get what you’re thinking, feeling, observing out on the page in the ugliest, most uncensored way. And likewise, sometimes you just need to spill Pollyannaish clichés of joy and happiness out in ink.

Writers who want to share stories, poems, ideas, and thoughts with others have to consider their audience. (Hello, Punctuation and Word Choice. Greetings, Grammar Conventions! Good-bye, Incoherent Ranting. See ya, Said-that-twenty-times-already-aren’t-you-over-it-already. Put on a towel, Too-much-information-girl.)

However, writers who want to have stories, poems, ideas and thoughts to share must have times when they completely ignore the possibility of there ever being a reader. They have to write things that make them cringe, things that they burn, literally, once they’re out on the page. Or at least I need to.

I have to get out the junk, so that the things I really wonder and care about are freed from the mire of everyday stuff. The process is akin to wading into my closet and weeding through a whole bunch of things that are out of season, that I want to keep but don’t wear anymore, that I’m holding onto for someone else, to get the one item that’s perfect for right now.

I’d love to hear thoughts on this topic. Does thinking about potential readers freeze you or inspire you? Can (should!) a writer ever fully forget the possibility of an audience?

Merry Christmas!

It’s Christmas Eve at last! I hope the day finds you happy and well–enjoying the day, not in shopping, wrapping hell . . . 🙂

Two days ago the kids and I made gingerbread for the first time ever and we spent yesterday building houses and decorating little people. Since this is a writing blog, let me just say: not enough good things can be said about flat characters. Except for Ed . . . Well, he’s an all right guy except that he’s loses his head in the drink at every party.

Oh, Ed. Not again.

There was also an awkward moment when some girl my daughter knows showed up topless . . . However, I think it was more embarrassing for her than it was for us. Wrong party, Gingie-girl.

The cat was inordinately pleased with the day’s events and plans to use her powers of mind control to get us to slather icing and candy on everything every year.

Ahhhhh . . .


I guess what I’m trying to say in this post is, Merry Christmas from my home to yours.

In 2010, may you eat lots of cookies, have lots of laughs, be surrounded by people you love and who love you back, and despite any hard circumstances, experience peace and joy.

These are for you!

I leave you with a quote that really moved me, and I think it’s my wish and plan for the New Year.

If Christmas means anything, it should mean that, like shepherds of old, we catch a vision of the world as it ought to be and not as it is. This is the season where we should renew our determination to do what we can, each in our own way, to build a world founded on human brotherhood and concern for the needs of others.” ~ Tommy Douglas, a Baptist preacher who went on to later become the first leader of the federal New Democratic Party in Canada

Have a lovely Christmas. God bless.

~ Ev

The 2009 TWG Fiction Contest winners are announced!

It’s hard to believe another year is quickly wrapping up, and the third annual Terrace Writers’ Guild Fiction Contest is completed, too.

A huge congrats to the winners, Val Laub of Smithers, BC for her story, “The Hero Campaign,” Jess Dafoe of Terrace, BC for “The Butterfly Jar,” and Charlotte Linford of Hazelton, BC for “Brave Girls.”

For full details about the winners, the prizes, the judges, and our wonderful sponsors visit the TWG website. And if you’re a writer, remember to write our contest into your planner: The 2010 TWG Fiction will open for submissions summer 2010.

The whether or not of writing weather . . .

The world seems not the same, though I know nothing has changed.
~ Opening line of “Pale” by Within Temptation

I woke up this morning to a world gone freshly white. I’ve lived here (in Terrace, British Columbia, Canada) most of my life, but the abruptness and totality of our seasonal changes never fails to awe me. My perception of the lay of the land is always changing. What I think I see or know is constantly called into question—especially when it snows.

There are jokes about Canadian literary writers’ obsession with weather, but I think that realism (in any story) demands those details. The weather in most parts of Canada is extreme. Extreme snow. Extreme deluges. Extreme dry. Extreme humidity. And much of life here, despite modernity’s best attempts to make us feel we’re somehow above the elements of nature, is dictated by weather. Canada is not alone in that, however.

Weather and its cousins, Physical Geography, Seasons, and Climate, represent hundreds of characters—benevolent and life-giving rulers, cruel and exacting tyrants, warm and sexy seductresses, cold nasty sonofabitches . . . They shape our daily activities, whether we’re conscious of it or not, dictate a lot of our choices, thwart plans, complicate simple goals, and exacerbate struggle—and not in imagined ways. In real, practical, everyday ways.

You might have a character who consciously muses about the changing weather for symbolism’s sake (better not be every character though! Most people bundle up and peel off layers without ever noticing that the wind, warm earlier, had grown chilly ;-)). You might use seasons as metaphors, blah, blah, blah (Oh, wait, I’ve done that and liked the effect a lot . . .) You should always have characters affected by weather and seasons.

When Ed peals out of the driveway in a rage, what time of year is it? If it’s October – March here, you can safely (heh) have that simple action escalate into a terrible accident. He hits black ice and just like that his car is out of control. He takes out the family’s mailbox. Or the dog. Or his five-year-old daughter who’s just trudging back from her snow fort next door.

When Kelly, new to the North, tells her eight-year-old that he can go play at the nearby park as long as he’s home before dark, then loses track of time unpacking, it’s 11:00 p.m. before she realizes it’s just starting to get dark and there’s no sign of her son.

Weather and terrain affect how people view the world and their place in it, and shape personality, however subtly. Someone who chops wood everyday and has to make sure someone’s home regularly to keep the woodstove topped up so the pipes don’t freeze has a different way of perceiving life than someone who doesn’t own a winter jacket and depends on repairman to regulate his complex’s thermostats.

At the very least, individual responses to weather and landscape give hints to personality. I imagine (or not :D) fairies in flowerbeds, see wood nymphs in the falling leaves, and know that the crystal white winter world I dwell in is somehow mystical.

A person using descriptions like mine would contrast dramatically with one who’d make an observation like a friend of mine recently did, after driving back from Prince Rupert: “Did you know that for a big part of the year here, life is literally black and white? It explains a lot about Northerners.”

Her wording struck me. I was wowed. And she’s right. When the months are at their coldest and most snowy, the North is monochromatic—and much more seems black and white, than gray. That has to have some impact on those who live up here. The possible insight that comment might give into another individual’s approach to life was amazing to me!

Including sensory details about the landscape and what the elements are doing can be a powerful, visual way to give readers a sense of place, if not overdone, of course, but I challenge you (and myself!) to use the weather and geography in the best way—as they are in real life—as dynamic forces, slightly under the main action, supporting it and intensifying it.

“Red Bird” just out in AlienSkin Magazine

It’s always fun to have something new published, and since I’m just starting to sell my fiction, it’s extra fun when it’s a short story. If you have the time and/or inclination, check out “Red Bird” in AlienSkin magazine’s Dec. 09/Jan. 2010 issue.

I’d love feedback, good, bad or ugly!

Happy reading,
Ev

p.s. For readers, AlienSkin Magazine is a free source of great, quirky sci-fi, fantasy, and horror fiction of every bent, from light-hearted and zany to quite dark.

For writers, AlienSkin Magazine is a paying genre market. Support it!

“Red Bird” just out in AlienSkin Magazine

It’s always fun to have something new published, and since I’m just starting to sell my fiction, it’s extra fun when it’s a short story. If you have the time and/or inclination, check out “Red Bird” in AlienSkin magazine’s Dec. 09/Jan. 2010 issue.

I’d love feedback, good, bad or ugly!

Happy reading,
Ev

p.s. For readers, AlienSkin Magazine is a free source of great, quirky sci-fi, fantasy, and horror fiction of every bent, from light-hearted and zany to quite dark.

For writers, AlienSkin Magazine is a paying genre market. Support it!

Life imitates art—the editing part anyway . . .

I’ve commented before about how I see connections between almost everything in my life and writing. Caving? Well, that’s absolutely a metaphor for writing, of course. Scary movies in childhood? Obviously a lesson in recognizing and dealing with avoidance techniques that might be hurting your writing. Lazy and procrastinating? No, no, no—that’s feeding the muse.

And the latest case of life echoing writing work or vice-versa? Electrical upgrades done in your home (while you’re trying to live and work there) is just like editing a novel. It’s an electrifying truth. (Sorry, couldn’t resist!)

I was not happy to hear that my older home needed to have its panel upgraded from 70-amp service to 200-amp service. (Yes, I’m just showing off newly acquired technical lingo.) My house was comfortable and warm. It had (has!) character. I liked it just fine as it was and it never gave any trouble. Current “code” regulations seem a little on the bizarre side: I’m living here, not operating a nuclear plant . . . but I digress. However unhappy I was to hear it, the needed reno wasn’t a surprise. We knew our house needed more power.

I was not happy to hear from my beloved and much trusted, much appreciated first readers that my latest WIP needed more work. Yes, not happy, but again, not surprised. I already knew I wanted to amp up the tension, rewire a few scenes to dim the focus on the killer, spotlight some red herrings . . .

I thought it would be lovely if the very competent electrician could figure out a way to fix the problems without bashing huge holes in my walls and cutting through lovely painted walls and moulding to get at what he needed to address. He, of course, all artistry aside, could not. Fixing the problem required getting at the guts of the house.

I thought, Hey, I’ve edited a lot of novels now. I’ll just cut in neatly, splice in a line of intrigue, throw a couple of exciting switches . . .

I trust you see where this analogy is going. My eight-inch-thick walls were dismembered and unstuffed. My ceiling is, well, missing in chunks . . . My scenes were (are!) just as mangled. So much for artistry.

But there’s good news. All the hard work, the gruelling work, the omigoodness-please-not-really-don’t-make-me-fix-that-too work pays off.

My house was built to last and the new fixtures, forced air electric heaters, and lovely high-powered service, breakers, fuses, etc. just make what was already there that much better—shine that much brighter.

I trust that I won’t have to resort to mudding and taping and painting my novel to get the same power upgrade in my story.